Christopher Dunn’s 1998 thesis that the Great Pyramid of Giza was never a tomb but a geomechanical power plant. On the account: the building is a harmonic integer of the Earth and couples to its vibration; the Grand Gallery’s twenty-seven pairs of ramp slots held Helmholtz-type resonators converting building vibration to airborne sound; the King’s Chamber is the transducer, its Aswan granite put at fifty-five percent or more quartz (see Piezoelectric Granite); the chambers held hydrogen generated in the Queen’s Chamber by zinc and dilute hydrochloric acid; a microwave input at the hydrogen line, 1,420,405,751.786 Hz, entered through the northern shaft and drove stimulated emission on the maser principle; and the collimated beam left through the southern shaft until the hydrogen exploded, which is offered as the explanation for the chamber’s damage. The chain rests on Ancient Machining and Schumann Resonance and terminates in two holes: no consumer and no grid for the beam, which the book itself names, and no energy budget, coupling efficiency or output figure anywhere in its 280 pages. The same empty chamber carries two other fillings in this literature: Hancock’s lost human engineers, and Zecharia Sitchin’s stripped Anunnaki instrument bay.
Connections
Christopher Dunn · Great Pyramid of Giza · King’s Chamber · Piezoelectric Granite · Schumann Resonance · Ancient Machining · Lost Civilization Hypothesis · Djedi Project · Zecharia Sitchin · Wadi al-Jarf Papyri · ScanPyramids